Carolina Live travels the region and features classical musicians from our area as well as those of international renown who visit our performance halls. Lauren Rico hosts the series.
Note: Carolina Live is looking for professional-quality vocal or instrumental recordings made in concert in the Carolinas in the past couple of years. Mail them to: Box 8990, Davidson, NC 28035-8990, attn. Carolina Live. For more info, call 877.333.8990.
The Peace Center Concert Hall in Greenville was the ideal setting for this concert from October of 2014. It features music of consolation and inspiration by Brahms, Ralph Vaughan Williams and Gustav Mahler, as well as a recent work by a hometown favorite.
The King of Instruments is in the spotlight is in the spotlight on this episode. The setting is the Visitors Center at Old Salem Museums and Gardens, where in 2014 they celebrated the restoration of the historic 1800 David Tannenberg organ with a special concert series. This program features two events in the series.
The South Carolina Philharmonic welcomes back local favorite Marina Lomazov for Tchaikovsky’s beloved concerto, and she treats the crowd at the Koger Center to an encore from Tchaikovsky’s The Seasons.
This Easter season edition of the program features Bach’s first and less-frequently performed setting of the Passion of Christ. Though there is controversy in some quarters regarding the text, there’s no disagreement about the power of the music.
During the 2014-2015 concert season the Western Piedmont Symphony in Hickory holds an ongoing “Battle of the Bows” to determine its next resident string quartet. First up in the competition is the Tetra Quartet performing in a Chamber Classics Concert from September of 2014.
The Greenville Symphony Orchestra and their renowned maestro began the 2014-2015 concert season by welcoming the rising young violinist Elena Urioste to perform Elgar’s epic concerto from 1920.
Featuring the symphony’s 2nd Masterworks concert of the 2012-2013 season.
This program by the Greensboro Symphony Orchestra takes its theme from the devolution shared by the characters which open and close the concert. The title character from Britten’s opera Peter Grimes descends into madness; from his story we’ll hear four famous instrumental passages depicting the sea to start the program.
An all-Beethoven program marked Oktoberfest at the Koger Center for the Arts in Columbia. The South Carolina Philharmonic opens with a dramatic overture and closes with one of the master’s most popular symphonies.